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about sunday open mike shop online what's for lunch?

 

NEW YORK CALLING: From Blackout to Bloomberg

editors Marshall Berman, Brian Berger and essay contributor, Tom Robbins (the NYC magazine writer). Discussion moderated by Neil de Mause.

at Vox Pop
This Saturday,
7 PM,

Oct. 13

FREE

live music at 6 PM with I.E.D. (Steve Wishnia, ex-False Prophets' bass-man, and fabulous Eric Blitz on drums.)

 

"New York Calling gives us the New York that doesn't get into the guidebooks--or the history books. With tour guides like Luc Sante, Tom Robbins, and editors Berman and Berger, we can count on an eye-opening journey through a more rough and tumble city, full of problems but bursting with messy life."--Geoffrey O''Brien, author of Sonata for Jukebox

Publishers Weekly :
"Berman establishes the personal tone of this collection of original essays in his introduction, recalling how New York City''s very special form of peace, harmony, and democracy . . . had unraveled in the 1970s and ''80s. The bonding of firsthand recollection to broader historical issues continues throughout the anthology. . . . With 230 photographs sprinkled throughout, this multivoiced collection establishes itself as a unique document of the city''s last three decades."


John Leonard Harper's Magazine
:
“An exacting look at the state of the city after thirty-five excruciating years of civil war. . . . We emerge with a terrific sense of immigrant muscle, ethnic flavor, and multicultural diversity as a big city’s jumping beans.” —John Leonard, Harper’s

"This fascinating, enlightening and sometimes irritating collection of essays pokes through the rubble of the past three decades and asks: What is the Apple without its worms – without its grifters, goombahs, B-boys, bohos and bums?"
Time Out New York

"A mind-opening collection. . . . Through the lens of New York politics, music, art and counterculture, we hear several, often fascinating takes on essentially the same story: how the squalor, struggles, crime, drugs, and free expression of the 1970s and 1980s gave way to a cleaner and safer city in the the subsequent two decades, but one in which commercial development has often trumped, protecting existing residents and preserving a rich past. . . . The essays, whether read discretely or as a complete work, offer a near unforgettable impression of an era."
Financial Times

"New York Calling collects essays by a swell bunch of writers—from Jim Knipfel to Richard Meltzer to Tom Robbins to Robert Sietsema—all of whom memorialize things and people and places that seem to have been lost forever. It's a wonderful read." -Byron Coley and Thurston Moore, Arthur Magazine

"New York Calling’s perceptive reports and evocative reminiscences vividly recreate the all but vanished city of the ’70s—dangerous, broke, aflame, in ruins, but also hip, vital, creative, rebellious—and trace the astonishing transformations wrought over the intervening decades. By turns tender and irate, whimsical and reflective, it's a great guide to Gotham’s recent history." -Mike Wallace, co-author of the Pulitzer Prize-winning Gotham: A History of New York City to 1898 and founder of the Gotham Center for New York City History

LINKS

Who Walk in Brooklyn - Editor Brian Berger's blog about New York Calling

New York Calling - New York Calling at The University of Chicago Press

 

 

 

 

 


Q&A for New York Calling authors

Brian Berger and Marshall Berman

What was your goal in putting together this anthology?

To sometimes outline, sometimes detail the full range of history & culture in NYC from 1977 (or so) to the present. It could, not of course, be done, but we began with the idea it was crucial to try. That means: New York City is five boroughs, untold # of ethnicities, cultures & subcultures, all of which are potentially of interest. (There are practical problems that result from this but...)

How does New York Calling portray the city and what sets your portrait apart?

It portrays the city in as messy & I hope, inspired, fashion as the streets themselves. There are, to be sure, things missing but between the essays, introductions, the chonrology & the bibliography AND the photos & photo captions, we jammed as much as possible in there. Admittedly, this takes an active reading of the book as a whole but we felt compelled to do no less.

As for what sets our book apart, it's our all-city insistence, & the insistence of our writers. If any given reader recognizes some things but not many others.. we did our job. Likewise, even if some persons aesthetics or politics differ, we don't think it's possible to say we didn't try, didn't get out, didn't bring it-- & take back--from the people, many of whom are marginalized in both traditional mass media discourse & the equally self-selective world of local blogs.

Also, ours is the first known NYC book that puts Brooklyn in its rightful place with regard to population & dynamism, with the Bronx, Queens & Staten Island also of some importance. East New York & Canarsie are as real--maybe more--to us than the Upper East Side or so-called "Cobble Hill."

What do you think is the strongest message from the book?

Prosperity is a mixed blessing, & we should always ask prosperity for who, & how? The corruption & fatuous self-approbation of New York City government is pretty hard to take. That said, the city is just as exciting, if viewed as a whole, as it ever was. That things are spread throughout so many cultures/languages should be a challenge, & inspiration.

What do you think about the state of the city today?

Corporate suburbanization is a drag, as are the radical class schisms new money Brooklynites--who never had an interest in the borough before--try to occlude by obsessing on their property values. City wide, if you look, all the weirdness, life & sorrow is still there, even if many of the facades are less individual than before. The obsession with residential real estate also diminishes the reality of industrial NYC, which is still important & teeming in places.

What do you hope people will take away from the book?

Whatever our flaws & omissions (some by accident, some for more complicated reasons), we put in the work on the street & life is not a luxury condo. Most of what the media-- & that includes the internet--serves us as New York City is but a fraction of what's there... which is much more difficult, & exciting to us. This enthusiasm is especially important in the face of so many political & economic travails many people still face.